Biographical/Historical Sketch
Processed by
Kelly Gascoine
2 June 2008
Manuscript and Visual Collections Department
William Henry Smith Memorial Library
Indiana Historical Society
450 West Ohio Street
Indianapolis, IN 46202-3269
|
VOLUME OF |
Manuscript Materials: |
|
COLLECTION |
1940–1997 (Bulk 1970s–1990s) |
|
PROVENANCE: |
Margot L. Eccles, Indianapolis, IN, 2007 |
|
RESTRICTIONS: |
None |
|
COPYRIGHT: |
|
|
REPRODUCTION |
Permission to reproduce or publish material in this collection must be obtained from the Indiana Historical Society. |
|
ALTERNATE |
|
|
RELATED |
|
|
ACCESSION |
2007.0058 |
|
NOTES: |
|
For almost 50 years, Starlight Musicals entertained Indianapolis with summer musical theater productions and concerts. Started in 1944 as Stars Under the Stars, the company later changed its name to the Indianapolis Theatre Association, then to Starlight Musicals. Productions were performed at the State Fairgrounds and the Butler Bowl. In 1955, Starlight Musicals relocated to the open-air Hilton U. Brown Theater at Butler University. For many years, Starlight Musicals functioned as a resident professional musical theater company. By 1980, the organization preferred to book traveling shows instead. However, by 1989, Starlight Musicals returned to its roots as a resident company. Over the years, Starlight Musicals attracted top-notch talent to Indianapolis. Performers and actors have included Yul Brenner, Carol Burnett, Jack Benny, Liberace, Liza Minelli, Dick Van Dyke, Bob Newhart, Joan Rivers, Wayne Newton, Debbie Reynolds, and Tony Randall to name just a few. During the 1980s and 1990s, Starlight Musicals struggled with financial difficulties. In 1993, facing slow ticket sales and a difficult financial situation, Starlight Musicals closed shortly before the start of the summer season and filed for bankruptcy.
Margot Lacy Eccles served on Starlight Musicals board of directors for many years and donated this collection to the Indiana Historical Society. Ms. Eccles attended Tufts University and studied at the American Theater Wing of NYC and the University of Paris. Vice President of Communication and Shareholder Relations and board member at LDI, Ms. Eccles still finds time to be involved in her community. She serves as the Chair of the Lacy foundation, has acted as the director for the Greater Indianapolis Progress Committee, sits on Franklin College’s board of trustees, and is a member of the Indiana Symphony Society, the Junior Achievement of Central Indiana and United Way of Central Indiana. Ms. Eccles also serves on the Heartland Film Festival board of governors and is a member of the Indiana Black Expo Cultural Pavilion Gala Committee and the Race Relations Leadership Network Committee. In 2007, she won the 400 Bricklayer Award from the Indianapolis Motor Speedway.
Sources:
Bodenhamer, David J. and Robert G. Barrows. The Encyclopedia of Indianapolis.
Bloomington: Indiana University Press, 1994.
LDI Ltd., LLC. “Our Executive Team.” www.ldiltd.com. Accessed March 9, 2008.
Theater. Clippings file. Indiana Historical Society.
This collection features documents and photographs of the Starlight Musicals theater company and the performances they produced in Indianapolis. Records span the 1940s through the 1990s, with the bulk of the materials dating to the 1980s and 1990s. Materials include photographs, slides, negatives, artifacts, scrapbooks, architectural drawings, promotional materials, programs, and other materials.
Series 1: Business Records, ca. 1960s–1990s. Records are organized chronologically. This series includes mostly reports and minutes from board meetings and legal documents, the bulk of which date to the1980s and 1990s.
Series 2: Scripts. Scripts are organized alphabetically.
Series 3: Musical Scores. Scores are organized alphabetically. Some are full production scores; some are scores of just one song.
Series 4: Musicals and Concert Productions, ca. 1970s–1990s. The series is organized chronologically. It includes information on Starlight Musicals shows and touring productions at Starlight and around the country. It includes set information, stage blueprints, cast information, some publicity and press release drafts. The films have not been processed at this time as the library does not have equipment to convert the film to the DVD format. The films are in storage and will be processed at a later date.
Series 5: Actor and Staff Information. This series is organized alphabetically. It includes actors’ and staff’s headshots, resumes, and biographies as well as information about people involved in productions.
Series 6: Programs, ca. 1950s–1990s. This series begins with non-Starlight Musicals programs, organized alphabetically first by town name then by theater name. These are followed by Starlight Musicals programs, organized chronologically. Programs are for musicals, concerts, and other theater productions.
Series 7: Publicity and Press, ca. 1940s–1990s. Publicity includes promotional materials, press releases, newspaper articles, and additional materials publicizing Starlight Musicals and their programs to the public. Materials are organized chronologically.
Series 8: Visual Materials, ca. 1960s–1990s. This series includes photographs of productions, including cast, sets, and performances. It also includes negatives and slides. Photographs of concerts and theater productions are first in alphabetical order, followed by additional photographs, slides, and negatives in chronological order.
|
CONTENTS |
CONTAINER |
|
Starlighters Records, 1962–1974 |
Box 1, Folder 1 |
|
Amphitheater Cover Architectural Drawings |
OM 471 |
|
1976 Board of Directors information |
Box 1, Folder 2 |
|
By-laws, mission statement, organizational structure, ca. 1980s |
Box 1, Folder 3 |
|
Contracts and Riders, ca. 1980s |
Box 1, Folder 4 |
|
1986 Board of Directors Records |
Box 1, Folder 5 |
|
1987 Board of Directors Records |
Box 1, Folder 6 |
|
1987–1988 Executive Committee Minutes |
Box 1, Folder 7 |
|
Board of Directors Records, ca. 1987–1990 |
Box 1, Folder 8 |
|
1988 Board of Directors Minutes |
Box 1, Folder 9 |
|
Contracts with Stage Employees, 1988, 1991 |
Box 1, Folder 10 |
|
1988–1992 Board Development |
Box 1, Folder 11 |
|
1989 Board of Directors Records and Minutes |
Box 1, Folder 12 |
|
Documents from 1989–1991 |
Box 1, Folder 13 |
|
1990 Board of Directors Records and Minutes |
Box 1, Folder 14 |
|
1990s Lawsuit with Crystal Catering |
Box 1, Folder 15 |
|
Legal documents, Starlight v. Caswell et al (folder 1 of 3) |
Box 1, Folder 16 |
|
Legal documents, Starlight v. Caswell (folder 2 of 3) |
Box 1, Folder 17 |
|
Legal documents, Starlight v. Caswell (folder 3 of 3) |
Box 2, Folder 1 |
|
Timothy Moore Deposition in Starlight v. Caswell et al |
Box 2, Folder 2 |
|
Timothy Moore Deposition, Second Copy |
Box 2, Folder 3 |
|
Additional Materials from Starlight v. Caswell |
Box 2, Folder 4 |
|
WXLW Advertising Information (in regards to Starlight v. Caswell) |
Box 2, Folder 5 |
|
Information about David Caswell |
Box 2, Folder 6 |
|
Photographs in connection with Starlight v. Caswell |
Photographs: |
|
1990–1993 Internal Memos and Public Press Releases |
Box 2, Folder 7 |
|
1991 Board of Directors Minutes and Records |
Box 2, Folder 8 |
|
1991 Proposal 481 |
Box 2, Folder 9 |
|
1991 AEA (Actors’ Equity Association) Contracts |
Box 2, Folder 10 |
|
1991–1992 Contracts |
Box 2, Folder 11 |
|
1991–1992 Executive Committee Minutes |
Box 2, Folder 12 |
|
1991–1992 Labor Communications |
Box 3, Folder 1 |
|
1991–1992 Starlighters Records |
Box 3, Folder 2 |
|
1992 Board of Directors Minutes |
Box 3, Folder 3 |
|
1992 Alan Berstein Resignation Letter |
Box 3, Folder 4 |
|
1992 Performers and Staff Contact Sheets |
Box 3, Folder 5 |
|
1992 Chicago and New York City Auditions |
Box 3, Folder 6 |
|
Costume Department, 1992 |
Box 3, Folder 7 |
|
1992 Contracts and Financial Information |
Box 3, Folder 8 |
|
1992–1993 Board of Directors Records |
Box 3, Folder 9 |
|
1993 Board of Directors Minutes |
Box 3, Folder 10 |
|
1993 Records |
Box 3, Folder 11 |
|
1997 Bankruptcy Court Records |
Box 3, Folder 12 |
|
50th Year Celebration Notes |
Box 3, Folder 13 |
|
Correspondence |
Box 3, Folder 14 |
|
Personnel Information |
Box 3, Folder 15 |
|
Letterhead |
Box 3, Folder 16 |
|
K.F. Williams Job, 1994 |
Box 3, Folder 17 |
|
Notepad with Starlight records information |
Box 3 Folder 18 |
|
CONTENTS |
CONTAINER |
|
A Little Night Music. Script and Vocal score (folder 1 of 2) |
Box 3, Folder 19 |
|
A Little Night Music. Script and Vocal score (folder 2 of 2) |
Box 3, Folder 20 |
|
Ain’t Misbehavin’ [David Dreyfoos’ copy] |
Box 4, Folder 1 |
|
Annie Get Your Gun. First copy. [Bate, Indpls Theater Assoc.’s copy] |
Box 4, Folder 2 |
|
Annie Get Your Gun. Second copy [Beggs, Indpls Theatre Assoc.’s copy] |
Box 4, Folder 3 |
|
Baby. Handwritten notes in script. [David Dreyfoos’ copy] |
Box 4, Folder 4 |
|
The Best Little Whorehouse in Texas |
Box 4, Folder 5 |
|
Bye, Bye, Birdie. First copy |
Box 4, Folder 6 |
|
Bye, Bye, Birdie. Second copy with different pages. |
Box 4, Folder 7 |
|
Chicago |
Box 4, Folder 8 |
|
The Firefly. First copy with notes in script. [Bate, Indpls. Theatre Assoc.’s copy] |
Box 4, Folder 9 |
|
The Firefly. Second copy with different notes in script. [Beggs, Indpls. Theatre Assoc’s copy] |
Box 4, Folder 10 |
|
Kiss Me Kate. First copy with notes in script |
Box 4, Folder 11 |
|
Kiss Me Kate. Second copy with additional pages and different notes in script |
Box 5, Folder 1 |
|
Kiss Me Kate. Third copy with different notes in script from Muny. [with sound cues for Lisa Jean] |
Box 5, Folder 2 |
|
On the Town |
Box 5, Folder 3 |
|
The Phantom of the Opera. Notes in script. [David Dreyfoos’ copy] |
Box 5, Folder 4 |
|
The Red Mill. [Notes on original folder “Victor Herbert. Indianapolis Operetta Associates” and “de Ancuercl”] |
Box 5, Folder 5 |
|
Song of Norway. First copy. [Bate, Indpls. Theatre Assoc.’s copy] |
Box 5, Folder 6 |
|
Song of Norway. Second copy [Beggs, Indianapolis Theatre Association’s copy] |
Box 5, Folder 7 |
|
The Student Prince. [David Dreyfoos’ copy] |
Box 5, Folder 8 |
|
The Three Musketeers. [Beggs, Indianaoplis Theatre Association’s copy] |
Box 5, Folder 9 |
|
CONTENTS |
CONTAINER |
|
“‘S Wonderful” |
Box 5, Folder 10 |
|
A Little Night Music. Conductor’s score (folder 1 of 3) |
Box 6, Folder 1 |
|
A Little Night Music. Conductor’s score (folder 2 of 3) |
Box 6, Folder 2 |
|
A Little Night Music. Conductor’s score (folder 3 of 3) |
Box 6, Folder 3 |
|
“All the Things You Are” |
Box 6, Folder 4 |
|
“All Through the Night” from Anything Goes |
Box 6, Folder 5 |
|
“Anchors Aweigh” |
Box 6, Folder 6 |
|
“Anything Goes” from Night and Day |
Box 6, Folder 7 |
|
Applause. Piano conductor parts |
OMB 108 |
|
Applause. Conductor’s score and Insert for No 9 |
OMB 108 |
|
Applause. No. 4, “But Alive” |
OMB 108 |
|
Applause. No. 10, “Hurry Back” |
OMB 108 |
|
Applause. No. 20, “Halloween” |
OMB 108 |
|
Applause. No. 4 “But Alive,” and No. 6 “Who’s that Girl?” |
OMB 108 |
|
Applause. “Welcome to the Theater” and No. 21 “Something Great” |
OMB 108 |
|
Bells Are Ringing. “Hello, Hello There” |
OMB 108 |
|
The Best Little Whorehouse in Texas |
Box 6, Folder 8 |
|
Brigadoon |
OMB 108 |
|
Bye, Bye Birdie (folder 1 of 2) |
OMB 108 |
|
Bye, Bye Birdie (folder 2 of 2) |
OMB 108 |
|
Cabaret. 1970 |
OMB 108 |
|
Camelot |
Box 6, Folder 9 |
|
“Carioca” from Flying Down to Rio |
OMB 108 |
|
Carousel |
OMB 108 |
|
“Charleston” from Runnin’ Wild |
OMB 108 |
|
“Chocolate Soldier” |
OMB 108 |
|
Damn Yankees |
Box 6, Folder 10 |
|
“Dolce Far Niente” |
OMB 108 |
|
Fiddler On the Roof “Do You Love Me?” |
OMB 108 |
|
“Fifi” from Every Day’s A Holiday |
Box 6, Folder 11 |
|
Funny Girl |
OMB 108 |
|
Gershwin Concerto, Conductor’s Score |
OMB 108 |
|
Gershwin Concerto, Piano part |
Box 6, Folder 12 |
|
Gershwin Concerto, Violin I part |
Box 6, Folder 13 |
|
Gershwin Concerto, Violin II part |
Box 7, Folder 1 |
|
Gershwin Concerto, Viola part |
Box 7, Folder 2 |
|
Gershwin Concerto, Cello part |
Box 7, Folder 3 |
|
Gershwin Concerto, Bass part |
Box 7, Folder 4 |
|
Gershwin Concerto, Piccolo, Flute, and Clarinet parts |
Box 7, Folder 5 |
|
Gershwin Concerto, Oboe, Bassoon, Trumpet parts |
Box 7, Folder 6 |
|
Gershwin Concerto. Trombone, Tuba, Horns parts |
Box 7, Folder 7 |
|
Gershwin Concerto, Percussion parts |
Box 7, Folder 8 |
|
“Gold and Silver” |
Box 7, Folder 9 |
|
Gordon Brown |
OMB 108 |
|
Gypsy. [Transposed for April Shawhan. Rows 1–50 from A6 up to C] |
OMB 108 |
|
Hello Dolly |
OMB 108 |
|
How to Succeed (folder 1 of 2) |
OMB 108 |
|
How to Succeed (folder 2 of 2) |
OMB 108 |
|
“I Ain’t Got Nobody” |
Box 7, Folder 10 |
|
“I Am Loved” from Out of This World |
Box 7, Folder 11 |
|
I Do, I Do. (folder 1 of 3) [Transpositions from Edie Adams and Paul Cassidy. #1 Prologue, #4 I Love My Wife, #6 My Cup Runneth Over, #7 Love Isn’t Everything, #9 It’s a Well Known Fact, #17 What is a Woman] |
OMB 108 |
|
I Do, I Do (folder 2 of 3) |
OMB 108 |
|
I Do, I Do (folder 3 of 3) |
OMB 108 |
|
“ I Get A Kick Out of You” |
OMB 108 |
|
“I’ve Got You Under My Skin” from Born to Dance |
Box 7, Folder 12 |
|
“I’ve Got You Under My Skin” Second copy |
Box 7, Folder 13 |
|
“Josephine” |
Box 8, Folder 1 |
|
The King and I |
OMB 108 |
|
Kiss Me Kate “So In Love” (folder 1 of 2) |
OMB 108 |
|
Kiss Me Kate “So In Love” (folder 2 of 2) |
OMB 108 |
|
Kiss Me Kate “Wunderbar” |
OMB 108 |
|
Kiss Me Kate “From This Moment On” |
Box 8, Folder 2 |
|
Kiss Me Kate. Additional orchestra selections |
OMB 108 |
|
“Lovely Day” and “Marrying for Love” |
OMB 108 |
|
Mame. “Christmas Reprise” [Transpositions of role of Mame. Kaye Stevens. 1969] |
OMB 108 |
|
Mame. “If He Walked Into My Life” and “Its Today Reprise” |
OMB 108 |
|
Mame. “Its Today” |
OMB 108 |
|
Mame. “Open a New Window” |
OMB 108 |
|
Mame. Piano Transpositions |
OMB 108 |
|
Mame. “That’s How Young I Feel,” “Christmas,” and “My Best Girl” |
OMB 108 |
|
Mame. Duplicates |
OMB 108 |
|
Man of La Mancha (folder 1 of 2) |
OMB 108 |
|
Man of La Mancha (folder 2 of 2) |
OMB 108 |
|
“May the Good Lord Bless and Keep You” |
OMB 108 |
|
Merry Widow |
OMB 108 |
|
Miscellaneous Songs (folder 1 of 7). Includes “Overture,” “First Waltz,” “Now,” “Later,” “Soon,” “the Glamous,” “Life,” “Salon,” “Music,” “Remember,” “You Must Meet My Wife” |
OMB 108 |
|
Miscellaneous Songs (folder 2 of 7). Includes “Liaisons,” “In Praise of Women,” “Everyday a Little Death,” “Weekend in the Country,” “Entr’acte,” “Night Waltz I, II, and III,” “The Woman Was Perfection,” Dinner Table Scene, Underscoring, “The Miller’s Son,” “Soon” and “Wife” Reprise, “Liaisons” underscore, “Weekend” reprise, “Death” and “Clown” reprises, Last Waltz, and “Bows” |
OMB 108 |
|
Miscellaneous Songs (folder 3 of 7). Includes “Twentieth Century Love,” “the Four of Us,” “So Long Many,” untitled work, “Bows,” Overture, Dance finish, “Musical Moon,” “Oh, You Wonderful Boy,” “All Aboard for Broadway,” “Pushcart,” “Name of Rose,” untitled work, and No. 16 |
OMB 108 |
|
Miscellaneous Songs (folder 4 of 7). Includes “If Ever I Would Leave You,” “How to Handle a Woman,” “C’et Moi,” “Come Along,” Quadrille, “A Little Talent” |
OMB 108 |
|
Miscellaneous Songs (folder 5 of 7). Includes “Lola,” “Can-Can,” “I’ve come to Wive It,” Madrigal |
OMB 108 |
|
Miscellaneous Songs (folder 6 of 7). Includes “How to Handle a Woman,” “If Ever I would Leave You,” “C’est Moi,” “C’est Magnifique,” “Never Give Anything Away,” “Allez-Vous en,” “Every Man is a Stupid Man” |
OMB 108 |
|
Miscellaneous Songs (folder 7 of 7). Includes “Live and Let Live,” “C’est Moi,” “Lola,” “A Little Talent,” “If You Love Me Truly” |
OMB 108 |
|
Mr. President |
OMB 108 |
|
The Music Man “ ’76 Trombones” |
OMB 108 |
|
The Music Man “Mariah” and “The Librarian” |
OMB 108 |
|
The Music Man “Double Reprise” |
OMB 108 |
|
My Fair Lady |
OMB 108 |
|
“My Heart Belongs to Daddy” |
Box 8, Folder 3 |
|
New Moon “Liberty Song” |
OMB 108 |
|
New Moon “Softly as in a Morning Sunrise” |
OMB 108 |
|
New Moon “Wanting You” |
OMB 108 |
|
“Nicer than Nice” Mazurka by Chopin |
OMB 108 |
|
No, No Nanette |
OMB 108 |
|
Oklahoma |
OMB 108 |
|
On a Clear Day. [Transpositions to Gig Young] |
OMB 108 |
|
“Orchids in the Moonlight” |
Box 8, Folder 3 |
|
“Over the Rainbow” |
OMB 108 |
|
Pajama Game. (folder 1 of 3) [Transpositions for Sid’s Music (Robert Horton). Incidental Music 20A-Hernando] |
OMB 108 |
|
Pajama Game (folder 2 of 3) |
OMB 108 |
|
Pajama Game (folder 3 of 3) |
OMB 108 |
|
Roberta (folder 1 of 4) |
OMB 108 |
|
Roberta (folder 2 of 4) |
OMB 108 |
|
Roberta (folder 3 of 4) |
OMB 108 |
|
Roberta (folder 4 of 4) |
Box 8, Folder 5 |
|
“Roberta” Choral Selection from Roberta |
Box 8, Folder 6 |
|
Rosalie (folder 1 of 2) |
Box 8, Folder 7 |
|
Rosalie (folder 2 of 2) |
Box 8, Folder 8 |
|
Showboat “Charleston” |
OMB 108 |
|
Showboat “Nobody Else But Me” |
OMB 108 |
|
Showboat “Can’t Help Lovin’ That Man” |
OMB 108 |
|
Showboat “You Are Love,” “Love (Reprise),” “Schultz and Schultz,” “Washington Post March” |
OMB 108 |
|
Showboat “Bill” |
OMB 108 |
|
Showboat “You Are Love” |
OMB 108 |
|
Showboat No. 1 and 2 |
OMB 108 |
|
Showboat “Life Upon the Wicked Stage” and miscellaneous materials |
OMB 108 |
|
Showboat Additional materials (folder 1 of 5) |
OMB 108 |
|
Showboat Additional materials (folder 2 of 5) |
OMB 108 |
|
Showboat Additional materials (folder 3 of 5) |
OMB 108 |
|
Showboat Additional materials (folder 4 of 5) |
OMB 108 |
|
Showboat Additional materials (folder 5 of 5) |
OMB 108 |
|
“Sing, Sing, Sing” |
Box 9, Folder 1 |
|
“Someone to Watch Over Me” (First copy) |
OMB 108 |
|
“Someone to Watch Over Me” (Second copy) |
Box 9, Folder 2 |
|
The Sound of Music [notes on folder “(Florence Henderson) Sound of Music Ordinary Couple”] |
OMB 108 |
|
South Pacific |
OMB 108 |
|
“Take Me Along” |
Box 9, Folder 3 |
|
“Tales from the Vienna Woods” |
Box 9, Folder 4 |
|
“Tarantella.” (folder 1 of 2) 1956. Arranged by Doc Robinson. |
OMB 108 |
|
“Tarantella” (folder 2 of 2) |
OMB 108 |
|
The Unsinkable Molly Brown (folder 1 of 2) |
OMB 108 |
|
The Unsinkable Molly Brown (folder 2 of 2) |
OMB 108 |
|
“The Way You Look Tonight” |
Box 9, Folder 5 |
|
“Vienna, My City of Dreams,” “Orpheus Overture” |
OMB 108 |
|
“Voices of Spring” |
Box 9, Folder 6 |
|
“Wish You Were Here” |
Box 9, Folder 7 |
|
“You’re Top” |
OMB 108 |
|
CONTENTS |
CONTAINER |
|
Production Note photographs |
Color Photographs: |
|
Capitol Booking Services, Inc. and information on the shows they produce |
Box 9, Folder 8 |
|
Mainstage Management International, Inc. and information on the shows they produce |
Box 9, Folder 9 |
|
Cabaret, 1970. Production Notes |
Box 9, Folder 10 |
|
Oklahoma 1974 |
Box 9, Folder 11 |
|
A Chorus Line. 1975. Production Notes |
Box 9, Folder 12 |
|
Funny Girl. Irene. 1975 Production Notes |
Box 9, Folder 13 |
|
The Odd Couple. Production Notes |
Box 9, Folder 14 |
|
Showboat. 12–18 July 1976. Production Notes |
Box 9, Folder 15 |
|
The King and I. 1976. Production Notes |
Box 9, Folder 16 |
|
Camelot. 1977. Production Notes |
Box 9, Folder 17 |
|
Hello Dolly. 1977. Production Notes |
Box 9, Folder 18 |
|
Shenandoah, 1977, Production Notes. |
Box 9, Folder 19 |
|
The Sound of Music, 1977, Production Notes. |
Box 9, Folder 20 |
|
Tex Beneke, Preseason 1978, Production Notes |
Box 9, Folder 21 |
|
Seven Brides for Seven Brothers, 10 July 1978. |
Box 10, Folder 1 |
|
The Music Man, 17 July 1978, Production Notes |
Box 10, Folder 2 |
|
Chicago, 24 July 1978, Production Notes |
Box 10, Folder 3 |
|
Man of La Mancha, 31 July 1978, Production Notes |
Box 10, Folder 4 |
|
Liberace, 7 August 1978, Production Notes |
Box 10, Folder 5 |
|
Mitzi Gaynor, 14 August 1978, Production Notes |
Box 10, Folder 6 |
|
Jim Nabors Show and Victor Borge, 1978, Production Notes. |
Box 10, Folder 7 |
|
Sugar, ca. 1978–1979, Production Notes |
Box 10, Folder 8 |
|
Ballroom, 1979, Production Notes |
Box 10, Folder 9 |
|
Carousel, 1979, Production Notes |
Box 10, Folder 10 |
|
A Chorus Line. June, 1980. Production Notes |
Box 10, Folder 11 |
|
Al Jolson Tonight, 1980, Production Notes |
Box 10, Folder 12 |
|
Big Broadcast of 1944, June 1980. Production Notes |
Box 10, Folder 13 |
|
Johnny Mathis. 1980. Production Notes |
Box 10, Folder 14 |
|
South Pacific, 1980, Production Notes |
Box 10, Folder 15 |
|
Dancin’, ca. 1980–1981, Production Notes |
Box 10, Folder 16 |
|
Showboat, 6–12 July 1981, Production Notes |
Box 10, Folder 17 |
|
Damn Yankees, 13–19 July 1981, Production Notes |
Box 10, Folder 18 |
|
George M, 27 July–2 August 1981, Production Notes |
Box 11, Folder 1 |
|
E. Humperdinck, ca. 1982–1983, Production Notes |
Box 11, Folder 2 |
|
Miscellaneous Production Notes, ca. 1982–1986 |
Box 11, Folder 3 |
|
Annie, 1982, Production Notes |
Box 11, Folder 4 |
|
Newton, 1982, Production Notes |
Box 11, Folder 5 |
|
They’re Playing Our Song, 1982, Production Notes |
Box 11, Folder 6 |
|
Where’s Charley?, 1982, Production Notes |
Box 11, Folder 7 |
|
Camelot, 1983, Production Notes |
Box 11, Folder 8 |
|
I Do, I Do, 1983, Production Notes |
Box 11, Folder 9 |
|
Lena Horne, 1983. Production Notes |
Box 11, Folder 10 |
|
Liberace, 1983, Production Notes |
Box 11, Folder 11 |
|
Man of La Mancha, 1983, Production Notes |
Box 11, Folder 12 |
|
Sophisticated Ladies. 1983. Production Notes |
Box 11, Folder 13 |
|
Oklahoma, 9–15 July 1984, Production Notes |
Box 11, Folder 14 |
|
The Music Man, 16–22 July 1984, Production Notes |
Box 11, Folder 15 |
|
Grease, 23–29 July 1984, Production Notes |
Box 11, Folder 16 |
|
Annie, 30 July–5 August 1984, Production Notes |
Box 11, Folder 17 |
|
Woman of the Year, 6–12 August 1984. |
Box 11, Folder 18 |
|
Evita, 9–14 July 1985. Production Notes |
Box 11, Folder 19 |
|
42nd Street, 23–29 July 1985, Production Notes |
Box 12, Folder 1 |
|
42nd Street. Publicity |
Box 12, Folder 2 |
|
W. Newton. 30 July–3 August 1985. |
Box 12, Folder 3 |
|
A Chorus Line. 1985, St. Louis. Production Notes |
Box 12, Folder 4 |
|
Steve/Eydie Show, 23–27 July 1986, Production Notes |
Box 12, Folder 5 |
|
Pippin, 5–10 August 1986, Production Notes |
Box 12, Folder 6 |
|
The Moody Blues, 30 June 1987, Production Notes |
Box 12, Folder 7 |
|
Song and Dance, 8–12 July 1987, Production Notes |
Box 12, Folder 8 |
|
My One and Only, 15–19 July 1987, Production Notes |
Box 12, Folder 9 |
|
Peters/Linden Show, 1987, Production Notes |
Box 12, Folder 10 |
|
The Odd Couple, 1987, Production Notes |
Box 12, Folder 11 |
|
The Mystery of Edwin Drood, 15–19 June 1988. |
Box 12, Folder 12 |
|
Man of La Mancha, 13–17 July 1988. |
Box 12, Folder 13 |
|
Annie, 1989, Production Notes |
Box 12, Folder 14 |
|
Mitzi Gaynor, 1989, Production Notes |
Box 12, Folder 15 |
|
Shenandoah, 1989. Production Notes |
Box 12, Folder 16 |
|
Gordon Lightfoot Concert, ca. 1990s. |
Box 12, Folder 17 |
|
Jesus Christ Superstar, 1990. (includes partial musical score) |
Box 12, Folder 18 |
|
A Chorus Line, 1991. Production Notes |
Box 12, Folder 19 |
|
Frankie Valli and the Four Seasons, 1991. |
Box 12, Folder 20 |
|
Indianapolis Pops Orchestra, 1991. Production Notes |
Box 12, Folder 21 |
|
Kiss Me Kate, 1991, Production Notes |
Box 12, Folder 22 |
|
Maynard Ferguson Band, 1991. Production Notes |
Box 13, Folder 1 |
|
On the Town, 1991. Production Notes |
Box 13, Folder 2 |
|
Ronnie Milsap, 1991. Production Notes |
Box 13, Folder 3 |
|
What We Do For Love Benefit Concert, 1991. |
Box 13, Folder 4 |
|
4 Girls 4, n.d. Production Notes |
Box 13, Folder 5 |
|
A Little Night Music, n.d. Production Notes |
Box 13, Folder 6 |
|
Bye, Bye Birdie, n.d. Production Notes |
Box 13, Folder 7 |
|
Cats, n.d. Production Notes |
Box 13, Folder 8 |
|
Fantasy on Ice, n.d., Production Notes |
Box 13, Folder 9 |
|
A Funny Thing Happened on the Way to the Forum, n.d. |
Box 13, Folder 10 |
|
The King and I, n.d. Production Notes |
Box 13, Folder 11 |
|
Little Shop of Horrors, n.d. Production Notes |
Box 13, Folder 12 |
|
My Fair Lady, n.d. Production Notes |
Box 13, Folder 13 |
|
Singin’ In the Rain, n.d., Production Notes |
Box 13, Folder 14 |
|
Cast Lists and Production Staff Lists, 1968, 1991 |
Box 13, Folder 15 |
|
Stage Blueprints (folder 1of 3). Includes 1978 Chicago, 1979 Carousel, Al Jolson Tonight, Big Broadcast of 1944, Dancin’, George M, 1982 Annie, 1983 Camelot, 1984 Grease, 1985 A Chorus Line, the Bernadette Peters/Linden Show, A Funny Thing Happened on the Way to the Forum |
OM 471 |
|
Stage Blueprints (folder 2of 3). Includes 1978 Music Man, 1978 Man of La Mancha, 1983 Man of La Mancha, 1984 Music Man, Pippin, My One and Only, 1987 The Odd Couple, The Mystery of Edwin Drood, 1988 Man of La Mancha |
OM 471 |
|
Stage Blueprints (folder 3of 3). Includes 1978 Seven Brides for Seven Brothers, Sugar, Woman of the Year, the Steve/Eydie Show, and Singin’ in the Rain |
OM 471 |
|
Sheet detailing the contents of three reels of films |
Box 13, Folder 16 |
|
CONTENTS |
CONTAINER |
|
General Information |
Box 13, Folder 17 |
|
Autographed photographs of actors |
Photographs: |