Processed by
Charles Latham, Amy Moulden
April 1989–October 1994;
Chris Harter, February 1997;
Paul Brockman, September 2005
Dorothy Nicholson, March 2006
Manuscript and Visual Collections Department
William Henry Smith Memorial Library
Indiana Historical Society
450 West Ohio Street
Indianapolis, IN 46202-3269
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VOLUME OF |
Manuscript Materials: 2 manuscript boxes, 1 oversize box,
2 reels microfilm |
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COLLECTION |
1894–1979 |
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PROVENANCE: |
Primary donor was Margaret Booth Jameson, Indianapolis , June 1981. Numerous additions continue to be made. |
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RESTRICTIONS: |
None |
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COPYRIGHT: |
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REPRODUCTION |
Permission to reproduce or publish material in this collection must be obtained from the Indiana Historical Society. Permission to publish must also be obtained from the family. |
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ALTERNATE |
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RELATED |
Susanah Jameson Papers (OMB 0024); Slawson-Tarkington Papers (M 0370); Susanah Tarkington Papers (M 0411); Meredith Nicholson (M 0021); George Horace Lorimer (SC 2512). |
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ACCESSION |
0000.0095, 1977.0704, 1981.0603, 1988.0590, 1990.0299, 1991.0614, 1992.0008, 1992.0009, 1992.0626, 1998.0197, 2005.0187. |
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NOTES: |
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Booth Tarkington (1869–1946), native of Indianapolis, student at Purdue and Princeton universities (Princeton Class of 1893), was perhaps Indiana's most famous author, both as a playwright and as novelist. His best-known works were written in the first decades of the twentieth century: The Gentleman from Indiana (1899), Penrod (1910), Seventeen (1917), The Magnificent Ambersons (1918), and Alice Adams (1921). The last two won Pulitzer Prizes. In his work he showed an appreciation of the development of his native city, and an amiable understanding of the real and imagined problems of young people. He was an early member of The Dramatic Club, founded in 1889, and often wrote plays and directed and acted in its productions.
Tarkington was married twice. His first marriage, in 1902 to Laurel Louise Fletcher, ended in divorce in 1911, and his daughter by that marriage, Laurel, died young. In 1912 he married Susanah Kiefer Robinson of Dayton, who survived him by twenty years. In the absence of children of his own, he saw a good deal of Donald, John, and Booth Jameson, the sons of his sister Hautie (Mrs. Ovid Butler Jameson), and of their children. Donald and Margaret Jameson had three children, Patty, Fenton, and Margaret (Mig); John and Florence Jameson had three children, Susanah, John, and Florence; Booth and Josephine Jameson had no children.
Tarkington grew up in Indianapolis at 1100 North Pennsylvania, the home of his parents John and Elizabeth Tarkington. Mrs. Tarkington called her home “Barley Bright.” In 1972 Barley Bright was destroyed due to the construction of an interstate highway through the neighborhood where Barely Bright stood. During his later years, he and his wife Susanah spent about half of each year at their home in Indianapolis at 4270 North Meridian Street, and the other half at Seawood, the home they developed at Kennebunkport, Maine. Permanent members of the household were Mrs. Tarkington's sister, Louise Kiefer; Tarkington's secretary, Betty Trotter; and the French poodle Figaro. The establishment at Kennebunkport included, besides the house, a boat, and "The Floats," a boathouse to which Tarkington went every afternoon for coffee and conversation. Stanley Thirkell for many years served as captain of the boat, and did other maintenance jobs around the house. Kenneth Roberts was a close neighbor and friend.
Tarkington was very successful financially as an author, and developed into a connoisseur both of antique furniture and of paintings, particularly of English portraits of the seventeenth and eighteenth centuries. He was a knowledgeable trustee of the John Herron Art Museum in Indianapolis, and combined his knowledge of art with his literary talents in the book Some Old Portraits in 1939. He carried on an extensive correspondence with his favorite art dealers, the Silberman brothers in New York, and used them as the basis for his stories about Rumbin Galleries.
Especially in his later years, Tarkington became very conservative in politics, violently opposed to FDR and the New Deal. These views showed up in many of his letters, particularly those written to his old friend Dr. Carleton B. McCulloch, and in items written about the Willkie campaign in 1940.
Sources:
Encyclopedia of Indianapolis. Bloomington, IN: Indiana University Press, 1994
(General Collection F534.I55 E4 1994).
Woodress, James. Booth Tarkington: Gentleman from Indiana. Philadelphia: Lippincott, 1954 (General Collection PS2973 .W6 1955).
This collection, consists mainly of letters written by Tarkington and is divided between personal/family and business correspondence. It is arranged alphabetically by correspondent, and chronologically within correspondent. The collection was obtained from several sources, both by gift and by purchase, from 1947 to the present.
Much of the family correspondence is with Tarkington’s nephew Donald Jameson and his wife and daughters. Included in this section is a letter from Tarkington's daughter Laurel to her stepmother, and a poem found in Tarkington's desk at the time of Laurel's death. Also included are Photostats of letters, filled with sketches, sent by Tarkington to his young nephews in 1903. There are items regarding the Wendell Willkie presidential campaign of 1940 and letters to Margaret Jameson, 1943–45. In addition, there are carbon copies of "Notes for Nieces," written in 1940.
There also are letters to and about family retainer Stanley Thirkell, 1918-1942. (F 0357-0358 gives copies of the bulk of Tarkington's Silberman correspondence, of which the originals are at Princeton University).
Because of Tarkington’s failing eyesight most of his correspondence in his later years is written in pencil on large yellow sheets which were apparently easier for him to see. Many of these letters are to the Jameson’s, 1935–45 and are stored with the oversized manuscripts. Included are letters to Donald and Margaret's daughter Patty and her husband and newborn son and letters to Patty's sister Mig, 1940–45, giving some avuncular advice during Mig's first marriage and divorce.
General correspondence primarily deals with Tarkington’s literary matters. Included is a 1913 letter to Paul Eldredge about Penrod as a representative boy. A 1915 letter to H. G. Jacobs of the Brooklyn Eagle goes into some detail about the background of The Turmoil. A 1944 letter to Abraham Feldman gives Tarkington's memories of David Graham Phillips (whom Feldman tactlessly describes to Tarkington as Indiana's greatest novelist). There is also a John T. McCutcheon cartoon showing Tarkington on the bench at an imaginary baseball game.
Several of the letters relate to Tarkington's interest in art, both as a collector and as a museum board member. These include a letter to Mrs. Benjamin D. Hitz, correspondence with Earle J. Bernheimer, and letters to Mr. Silberman an art dealer from whom Tarkington bought many of the paintings he collected, and on whom he modeled his stories about Rumbin's Gallery. A letter to Garvin Brown relates an incident during his early years of acting for the Dramatic Club.
A letter to Indianapolis Symphony conductor Fabien Sevitzky refers to a joint project to make an opera out of Kipling's Just So Stories (!). There are several letters to and about Stanley Thirkell that deal with Thirkell's problems with the draft in WWI and with wartime restrictions in 1941–42. Politics recur in the Thirkell letters, as well as in the transcripts of letters to Dr. Carleton B. McCulloch, which largely take the form of Tarkington's criticisms of the New Deal as a way to josh McCulloch, who was a loyal Democrat. Considerable research has not located the originals of these transcripts.
Other materials include a 1907 contract with McClure's Magazine as well as short writings by Tarkington, including two early published stories and a eulogy of his dog Peter (1942). There also are articles about Tarkington's writings, especially his plays and a 32 page handwritten film script (pages 1 and 9 are missing) with numerous revisions, c.1920. Other magazine articles include "When Is It Dirt?" which was published in Collier's in 1927, and copies of an autobiographical series, "As I Seem to Me," published in the Saturday Evening Post in 1941.
The collection also contains two notebooks from Tarkington’s youth: "The Charles Dickens Birthday Book (1882), with Tarkington family birthdays written in, and "The Tablet of Friendship" (1880), with a childish entry by Tarkington.
The visual component of the collection consists of photographs of Booth Tarkington, formal studio portraits, and casual pictures with family, friends, and pets. There are portraits of his wife Susanah, daughter Laurel, his parents, sister, nephews, grandnieces, and grandnephews, and others. There are pictures of the family while in Kennebunkport, Maine, and the Tarkington residences in Indianapolis, and Kennebunkport, both interiors and exteriors. The photo albums focus on Tarkington’s family on his mother’s side, Susanah, and his homes. There are also some commercially produced printed items that reflect his professional work as a writer, and 203 slides that were created by the Indiana Historical Society for an exhibit on Tarkington in 1979.
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CONTENTS |
CONTAINER |
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Biographical and Genealogical Information |
Box 1, Folder 1 |
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Ovid Jameson to BT, 1909 |
Box 1, Folder 2 |
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Laurel Tarkington |
Box 1, Folder 3 |
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BT Letters to Nephews, 1903 |
Box 1, Folder 4 |
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BT to Donald Jameson, 1920–44 |
OMB 0018 |
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BT to Family re: Willkie Campaign, 1940 |
Box 1, Folder 5 |
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BT to Margaret Jameson, 1943 |
Box 1, Folder 6 |
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BT to Margaret Jameson, 1944 |
Box 1, Folder 7 |
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BT to Margaret Jameson, 1945 |
Box 1, Folder 8 |
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BT to Margaret Jameson, 1920–38 |
OMB 0018 |
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BT to Margaret Jameson, 1939 |
OMB 0018 |
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BT to Margaret Jameson, 1940 |
OMB 0018 |
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BT to Margaret Jameson, 1941–42 |
OMB 0018 |
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“Notes to Nieces,,” 1940 |
Box 1, Folder 9 |
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BT to Patty Jameson and Others, 1942–45 |
OMB 0018 |
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BT to Mig Jameson, 1940–45 |
OMB 0018 |
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BT to Booth and Josephine Jameson, 1935–40 |
OMB 0018 |
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BT to Haute Tarkington Jameson, 1936 |
OMB 0018 |
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Susanah Tarkington to Josephine Jameson, 1945, 1965, n.d. |
Box 1, Folder 10 |
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CONTENTS |
CONTAINER |
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BT to Earle J. Berheimer, 1945 |
Box 1, Folder 11 |
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BT to _____ Blumensheim, 1920, n.d. |
Box 1, Folder 12 |
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BT to Edward William Box, 1920 |
Box 1, Folder 13 |
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BT to Gavin M. Brown, 1928 |
OMB 0018 |
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BT to Irving Brown, 1928 |
Box 1, Folder 14 |
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BT to Lee Burns, 1927 |
Box 1, Folder 15 |
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BT to Miss Chapin, 21 November 1925 |
Box 1, Folder 16 |
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BT to “Miss Day,” 1915 and Paul Eldredge, 1913 |
Box 1, Folder 17 |
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BT to Louise Emerson, 1920 |
Box 1, Folder 18 |
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BT to Abraham Feldman, 1944–45 |
Box 1, Folder 19 |
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BT to Allen Hendricks, 1942 |
OMB 0018 |
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BT to W. C. Folley, 24 March 1924 |
Box 1, Folder 20 |
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BT to Elizabeth H. Hitz, 1939 |
Box 1, Folder 21 |
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BT to H. G. Jacobs, 1915 and Alexander Kadison, 1943 |
Box 1, Folder 22 |
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BT to Harry Lichtig, 6 July 1938 |
Box 1, Folder 23 |
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BT to Mary Lloyd, 1923 |
Box 1, Folder 24 |
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BT to Carleton McCulloch (transcripts), 1940 |
Box 1, Folder 25 |
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BT to Carleton McCulloch (transcripts), 1941–Feb. 1944 |
Box 1, Folder 26 |
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BT to Carleton McCulloch (transcripts), March 1944–Jan. 1946 |
Box 1, Folder 27 |
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John T. McCutcheon Cartoon |
OMB 0018 |
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BT to New Orleans Picayune, 3 July 1904 |
Box 1, Folder 28 |
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BT to Fabien Sevitzky, 1944 |
Box 1, Folder 29 |
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BT to Silberman, 1933–44 (copies and transcripts) |
Box 1, Folder 30 |
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BT to Silberman, 1933–44 |
OMB 0018 |
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Silberman Correspondence (microfilm of originals at Princeton University) |
F 0357–0358 |
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BT to Mr. Stuart, Indianapolis Star, 1934 |
Box 1, Folder 31 |
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BT to Mark Sullivan, July 1925 and Aug. 1937 |
Box 1, Folder 32 |
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BT to Mark Sullivan, 14 Dec.1938 and Galley Proof “America in 1900” |
OMB 0018 |
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BT to and about Stanley Thirkell, 1918–42 |
OMB 0018 |
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Transcripts of Stanly Thirkell Letters 1918–42 |
Box 1, Folder 33 |
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BT to Samuel Johnson Wolff, 1927–41 |
Box1, Folder 34 |
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CONTENTS |
CONTAINER |
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Contract with McClure’s, 14 Feb. 1907 |
Box 2, Folder 1 |
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November Leaf, 1896 (story on page 4) |
Box 2, Folder 2 |
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Once a Year, 1896 (story on page 6 |
Box 2, Folder 3 |
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“What is Dirt?” (manuscript), 1927 |
OMB 0018 |
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“As I Seem to Me” Saturday Evening Post, 1941 |
OMB 0018 |
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On Death of Dog Peter [1942] |
Box 2, Folder 4 |
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“Let’s look before we leap” 1945 |
Box 2, Folder 5 |
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“Reliance on water” (carbon), n.d. |
Box 2, Folder 6 |
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Booklet on schooner “Regina,” n.d. |
Box 2, Folder 7 |
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General Items, n.d. |
Box 2, Folder 8 |
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Princeton University Chronicles, 1957—on Tarkington’s plays |
Box 2, Folder 9 |
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James L. Woodress on Tarkinton’s Political Career, 1957 |
Box 2, Folder 10 |
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Leila Holmes on Tarkington’s Plays, n.d. |
Box 2, Folder 11 |
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Clippings |
Box 2, Folder 12 |
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Clippings |
OMB 0018 |
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Program—50th Anniversary of Booth Tarkington Civic Theater, 1964 |
Box 2, Folder 13 |
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Clipping—50th Anniversary of Booth Tarkington Civic Theater, 1964 |
Box 2, Folder 14 |
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Alfred Lunt to Susanah Tarkington, 1956 |
Box 2, Folder 15 |
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Clippings, Susanah Tarkington |
Box 2, Folder 16 |
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Taping Session regarding Booth Tarkington, 1979 |
Box 2, Folder 17 |
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Book Jackets |
Box 2, Folder 18 |
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Programs and Bookplates |
Box 2, Folder 19 |
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Charles Dickens Birthday Book, 1882 |
Box 2, Folder 20 |
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“Tablet of Friendship,” 1880 |
Box 2, Folder 21 |
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Box 2, Folder 22 |
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CONTENTS |
CONTAINER |
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BT early portraits: as a child in a kilt, with his sister Haute, young BT in chair cigarette in hand, as a young man, lighting a cigar, and with a beard |
Photographs: |
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Princeton Triangle Club, Julius Caesar cast, BT as Cassius, n.d. |
OVB Photographs: |
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“Booth Tarkington in Indianapolis, about 28 years of age,” n.d. |
OVB Photographs: |
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“Dinner to Booth Tarkington by the Lotos Club New York, November 25th, 1916, Menu” autographed by Booth Tarkington |
OVC Graphics: |
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Original etching of Booth Tarkington by artist Richard Hood signed by Tarkington and Hood “To Dr. Rosenfeldt” |
OVC Graphics: |
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BT portraits, formal and casual, includes copy photograph of New York Times “Twelve Greatest Living Americans” |
Photographs: |
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New York Times “Twelve Greatest Living Americans” |
4x5 Acetate Negatives: |
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BT in several photographs at his desk and dictating to his secretary Betty Trotter |
Photographs: |
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BT in dark coat with fur collar, printed portrait by Ira O. Scharz, 1921 |
OVA Graphics: |
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“Makers of Modern American Fiction Booth Tarkington…” Autographed portrait on printed card |
OVA Graphics: |
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“Makers of Modern American Fiction Booth Tarkington…” printed portrait on printed card |
OVA Graphics: |
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“Booth Tarkington Twice Winner of the Pulitzer Prize,” printed portrait of Booth on card, n.d. |
OVA Graphics: |
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Fenton Booth and BT playing checkers April, 1938 [newspaper clipping] |
OVA Graphics: |
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BT in coat with hat and gloves with Wops, n.d. |
OVA Photographs: |
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BT at “Seawood” in sunroom, n.d. |
OVA Photographs: |
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BT signed portrait, 1940 |
OVA Photographs: |
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John S. Tarkington, n.d. |
OVA Photographs: |
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[Linda Tarkington at Barley
Bright, seated] |
OVA Photographs: |
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“Laurel,” [1919] |
OVA Photographs: |
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“Laurel, 1919” |
OVA Photographs: |
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BT with family and friends |
Photographs: |
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BT and Susanah together and Susanah alone |
Photographs: |
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BT with family and friends in Maine |
Photographs: |
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Susanah Tarkington photographs from an album with list documenting photographs in the album |
Photographs: |
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Susanah Tarkington photographs from an album with list documenting photographs in the album |
Photographs: |
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Photographs of paintings and
sculptures of BT: |
Photographs: |
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BT with some of his pets |
Photographs: |
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[Barley Bright, 1100 North Pennsylvania, exterior views removed from album] |
Photographs: |
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[Barley Bright, 1100 North Pennsylvania, interior views removed from album] |
Photographs: |
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[Barley Bright, 1100 North Pennsylvania, interior views removed from album, with note from discarded album] |
OVA Photographs: |
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“Barley Bright” Album: views of 1100 North Pennsylvania St. Indianapolis During the Years 1907–1923” |
Album Storage: |
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“Barley Bright” 8 interiors with note from album [mounted photographs removed from an album] |
OVA Photographs: |
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BT’s home at 4270 North Meridian, |
Photographs: |
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Photographs of Regina, “The Floats,” and “Seawood,” |
Photographs: |
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“Seawood” Album: BT’s Summer Residence Kennebunkport, Maine [exterior and interior views] |
Album Storage: |
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“Susanah Tarkington” album: formal portraits and snapshots of Susanah and friends and family |
Album Storage: |
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Susanah Tarkington, Lucy Taggart, The One-Armed Magician, Tom Taggart, [at] French Lick April 1941 |
OVA Photographs: |
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“Booth Family” Album: portraits of BT’s relatives on his mother’s side with genealogical and biographical information provided by a Tarkington cousin |
Album Storage: |
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Bebee Booth daguerreotype, ca.
1850 |
Cased Images: |
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4111 Washington Boulevard, exterior view |
Photographs: |
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4111 Washington Boulevard, interior view |
OVA Photographs: |
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203 Slides produced by I.H.S.
for Booth Tarkington Exhibit in 1979, |
Slide Storage: |
For additional information on this collection, including a list of subject headings that may lead you to related materials:
1. Go to the Indiana Historical Society's online catalog: http://opac.indianahistory.org/
2. Click on the "Basic Search" icon.
3. Select "Call Number" from the "Search In:" box.
4. Search for the collection by its basic call number (in this case, M 0274).
5. When you find the collection, go to the "Full Record" screen for a list of headings that can be searched for related materials.